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DTSTART;TZID=America/Los_Angeles:20261017T090000
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SUMMARY:2026 Columbia Gorge Run Festival
DESCRIPTION:One of the most scenic marathon’s in the country the Columbia Gorge Marathon Run Festival takes participants through the beautiful fall colors of the Pacific Northwest on the old historic highway. 100% of the course is run on paved roads and trails.  \nSATURDAY: KIDS’ 1K\, 5K & 10KSUNDAY: MARATHON\, HALF-MARATHON\, HALF RELAY\, & DOG LEG HALF \nFor more information or to register visit us at: www.columbiagorgemarathon.com
URL:https://www.gorgecurrent.com/event/2026-columbia-gorge-run-festival/
LOCATION:Hood River Event Site
CATEGORIES:informational,sports,youth
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DTSTART;TZID=America/Los_Angeles:20261018T073000
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SUMMARY:The 2026 Columbia Gorge Marathon\, Half-Marathon
DESCRIPTION:BIG updates for 2026 Columbia Gorge! 5K\, 10K\, Kids’ 1K\, Marathon\, Half-Marathon\, Relay\, and Dog Run ¬ We’re turning race weekend into a full Columbia Gorge Run Festival — and you’re invited. 🎶🏃 \nNew for 2026: We’re expanding the experience to give you more to love\, more to do\, and more time in the Gorge!\n🗓️ Saturday\, October 17th will now feature: • A vibrant Race Expo & Packet Pickup • New 5K & 10K events • Kids’ Community 1K Run • Food & Festivities • Community vibes\, scenic runs\, and all-around fun! Then on Sunday\, October 18th- it’s the Marathon\, Half-Marathon\, Relay\, and Dog Run you know and love. ¬ ¬ 🎉 The 2026 Columbia Gorge Marathon\, Half-Marathon\, Relay & Dog Run 🗓️ Race Day: Sunday\, October 18\, 2026 📍 Hood River\, Oregon – The Most Beautiful Marathon in the Country 🌲🏞️ Get ready for another unforgettable weekend of scenic miles\, incredible community\, and finish line magic. 🧡 Registration will open Thursday\, October 23rd\, at 5 PM\, with an exclusive discount code and free event cancellation insurance for our email subscribers and returning runners who register by November 1st. Stay tuned for a special email with your special deal for 2026! Until then\, keep training\, keep exploring\, and keep that Gorge energy going strong. – Team Breakaway
URL:https://www.gorgecurrent.com/event/the-2026-columbia-gorge-marathon-half-marathon/
LOCATION:Hood River\, OR
CATEGORIES:sports
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DTSTART;TZID=America/Los_Angeles:20261018T140000
DTEND;TZID=America/Los_Angeles:20261018T160000
DTSTAMP:20260917T164510Z
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SUMMARY:FAHRENHEIT 451 movie
DESCRIPTION:Fahrenheit 451 is the temperature at which paper catches fire. \nGuy Montag has spent ten years as a fireman\, and in his world that means setting the blazes rather than putting them out. Books are the fuel. It’s steady work and an easy life\, and lately it has started to feel like no life at all — a numbness Montag can’t quite name until he meets Clarisse\, a neighbor who’s full of odd questions and stranger ideas. What she stirs up in him turns dangerous fast. Montag has to choose: keep drifting through an existence that barely qualifies as one\, or risk everything for the right to think for himself. \nRay Bradbury adapted his own 1953 novel for the stage\, and this October\, director Lowry Browning brings it to CCA’s black box theater. Seventy years on\, this story still lands with unsettling force. \n“An incredibly relevant and prophetic adaptation of a classic novel.” — David Longford\, The Royal Company\, Nottingham\, England. \nDoors open a half hour before the show. \nOn stage: OCT 9-25\nFridays and Saturdays at 7 PM\nSundays at 2 PM \nGeneral Admission: $23\nStudent (≤18) and Senior (65+): $21 \nGET TICKETS
URL:https://www.gorgecurrent.com/event/fahrenheit-451-movie-6/
LOCATION:Columbia Center for the Arts\, 215 Cascade Ave\, Hood River\, OR\, 97031-1724\, United States
CATEGORIES:arts
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DTSTART;TZID=America/Los_Angeles:20261018T150000
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SUMMARY:Dances of Universal Peace
DESCRIPTION:These Dances bring us together with simple movements and songs that touch our places of reverence\, celebration and interconnection.  We dive into the experience of different cultures and spiritual traditions with a focus on peace and presence.  Participation\, not presentation\, is the way we embody our one heart.  Each dance is fully taught and creates an atmosphere of positive energy  uplifting ourselves and our world.  Donations welcome!
URL:https://www.gorgecurrent.com/event/dances-of-universal-peace/
LOCATION:Mountain View Grange\, White Salmon\, 1085 North Main Avenue\, White Salmon\, WA\, 98672\, United States
CATEGORIES:music
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DTSTART;TZID=America/Los_Angeles:20261018T170000
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SUMMARY:Restorative Yoga and Sound Bath
DESCRIPTION:Join Angel Rose & Gail for an evening of deep rest\, resonance\, and renewal. Together they weave an energetically healing alchemy of restorative yoga and sound bath to soothe your body\, mind\, and nervous system.\n\n\nSettle in with 30 minutes of gentle restorative yoga led by Gail\, while Angel Rose offers soft soundscapes to support you in opening and releasing. Then\, rest into a super-supported lying pose as both Angel Rose & Gail create a 45-minute immersive duet sound bath\, blending the graceful harmonies of alchemy bowls\, quartz crystal bowls\, flute\, Grotta Sonora gong\, and koshi chimes.\n\n\nThis practice is designed for all levels—no yoga experience needed. Simply come as you are and allow the vibrations to recalibrate your whole being.\n\n\n \n\n\nWhat to Bring: Wear your comfiest clothes (pajamas welcome!) and feel free to bring a blanket and pillow for maximum comfort. The studio provides bolsters\, blankets\, and blocks.\n\n\n\nTime: 5:00–6:15 pm (1 hr 15 min)\n\n\n\nFlow Yoga: Sunday\, October 18th\n\n\n\nCost: $25\n\n\n \n\n\nRegister HERE
URL:https://www.gorgecurrent.com/event/restorative-yoga-and-sound-bath-3/
LOCATION:flow yoga\, 1015 12th St\, Hood River\, 97031
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DTSTART;TZID=America/Los_Angeles:20261018T170000
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SUMMARY:John Moreland with special guest Georgia Maq at Trout Lake Hall
DESCRIPTION:TICKETS RELEASE FRIDAY JUNE 12 at 10AM PST! \nSunday\, October 18th\, 2026 \n$28 Advance // $33 Day of5pm Doors / 6pm ShowAll Ages \nJOHN MORELAND \nAfter an impressive 2010s run of albums that earned him a devoted fanbase\, accolades from outlets like The New York Times\, Fresh Air\, and Pitchfork\, and a place in the upper echelon of modern Americana singer-songwriters\, John Moreland has already taken two unexpected turns this decade\, both of which highlight his fierce artistic independence. First\, he released a brilliant and sonically layered folk-electronica meditation on modern alienation\, 2022’s Birds In The Ceiling\, that took some of his fans by surprise. Then\, after wrapping up a difficult tour behind that record in November 2022\, he stopped working entirely. He took an entire year off from playing shows and didn’t use a smartphone for 6 months. “At the end of that year\, I was just like ‘Nobody call me’. I needed to not do anything for a while and just process\,” Moreland says. After nearly a decade in the limelight\, constantly jostled by the expectations of his audience\, the music industry\, and anonymous strangers online\, he carved out some time to rest\, heal\, and reflect for the first time. \nThe result of that unplugged year at home is 2024’s Visitor\, a folk-rock record that is intimate\, immediate\, deeply thoughtful\, and catchy as hell. Moreland recorded the album at his home in Bixby\, Oklahoma\, in only ten days\, playing nearly every instrument himself (his wife Pearl Rachinsky sang on one song\, and his longtime collaborator John Calvin Abney contributed a guitar solo)\, as well as engineering and mixing the album. “Simplicity and immediacy felt very important to the process\,” he says. \nThis is a return to the approach Moreland took on his breakthrough albums\, 2013’s In The Throes and 2015’s High On Tulsa Heat\, both of which were largely self-recorded at home with a small cadre of additional musicians. Echoes of these early albums can be heard on Visitor (Moreland makes a passing reference to In The Throes’ opening track “I Need You To Tell Me Who I Am” in two different songs on Visitor)\, which finds Moreland shutting out the noisy world outside\, and the even noisier digital world in his pocket\, to reconnect with a muse that’s had to increasingly compete for his attention in the intervening years. Visitor charts his journey back to this muse. If Birds In The Ceiling’s theme was alienation\, Visitor’s theme is un-alienation. \nMoreland begins the album where he began his year-long process of healing: doomscrolling past images of political turmoil\, war\, and environmental destruction\, in a trio of surprisingly hooky folk songs that address present-day social realities more directly than any previous John Moreland songs. On opening track “The Future Is Coming Fast”\, Moreland describes the perpetually logged-on life in a time of rolling catastrophe over gentle fingerpicking: “The news keeps steady coming in / Our condition shows its teeth again / A nightmare we all thought would end.” \nIn the bridge of that song\, Moreland lands on a key couplet that captures the personal toll of living inside a perpetual cycle of digital bleakness\, while also hinting at a way out: “But we don’t grieve\, and we don’t rest / We just choose the lie that feels the best.” In order to cope with our digitally mediated lives\, where we constantly bear witness to ongoing disasters while feeling powerless to do anything about them\, we must walk around in a persistent state of denial. We repress feelings and lie to ourselves continuously. This status quo is\, of course\, antithetical to the conditions that produce transcendent works of art. For an artist with ambitions like Moreland’s\, this is a big problem. \nAn infinite feed filled with bad news isn’t the only thing that’s been keeping Moreland from processing his emotions. Ironically\, a busy career as a touring musician can prevent you from doing the deep self-reflection so necessary to the creative process just as much as a smartphone can. On “No Time”\, Moreland sings “Now it’s all a blur / They told you who you were\,” followed by the chorus line\, “I don’t have the time to cry”. In the bridge of “Will The Heavens Catch Us?”\, Moreland describes how painful it can feel to focus exclusively on chasing success – often by following rules set down by others – without taking the time to process one’s emotions\, reflect\, and heal: “We writhe in agony / For our precious little legacy”. No wonder Moreland needed a break. \nSo what’s Moreland’s solution to this impasse? The first step is the same one that Henry David Thoreau posed in Walden\, another work about an artist intentionally isolating with the purpose of pursuing a deeper truth: “Simplify\, simplify\, simplify”. No shows for a whole year. No smartphone. No studio time. No additional musicians. Strip things away and let inspiration emerge. On a musical level\, the result is a raw\, straightforward sound. Moreland leaves a lot of space in these songs. To hammer home the folk immediacy\, he includes some new-for-him instrumentation\, most prominently on two haunting instrumental interludes that he tracked live with a field recorder during late-night country drives. (Who knew that\, on top of everything else\, Moreland plays the mandolin and fiddle?) The result is that\, when Moreland sings “The more you say\, the less it means” on the track of that title\, it has the feeling of being a sort of personal mantra. \nBy doing all of that simplifying\, Moreland creates space to invite the muse back in – a process that he narrates in a pair of gorgeous invocations that kick off Side Two of the album\, “Blue Dream Carolina” and “Silver Sliver” (the latter of which was also tracked live with a field recorder). He begins the side with what is perhaps the record’s most poignant verse: \nBlue dream Carolina\, remind me why I do thisTell me what the truth is\, don’t tell me who to beI don’t have to tell you this life is plenty painfulHere comes my fallen angel\, falling down on me \nBy the end of this verse\, his muse\, his “fallen angel”\, has returned to him\, now a little worse for the wear. And by the end of the album\, Moreland even seems to have resolved some of the internal struggles that led to his year off the road\, as is revealed in a fiery couplet that signals his recommitment to a relentless pursuit of the truth: “I will not be your puppet or your payment / Your easy entertainment\, for I’ve made amends to me.” Moreland has grieved and rested and come out on the other side with a new world-weariness and hard-won wisdom. \nBut there is another path he could have taken. On his Petty-esque ode to despair “One Man Holds The World Hostage”\, Moreland cleverly leaves the identity of the “one man” in question open. He could be one of any number of the men currently endangering humanity\, whether it’s a world leader with access to nuclear weapons\, an oil CEO pursuing ever-greater profits in spite of the threat posed by climate change\, or just an average Joe with hate in his heart. But all of these “one men” have something in common. As Moreland sings\, “One man holds the world hostage ‘cause he’s afraid of his feelings”. This is the line that unifies the album’s social commentary with the personal journey that Moreland describes. The denial and avoidance that most of us rely on to cope with the relentless speed and noise of modern life are\, if allowed to fester\, also the source of our greatest dangers. If we don’t work through our shit\, Moreland suggests\, we all have the potential to turn to the dark side. Moreland’s narration of his journey back to his muse is more than a simple anecdote\, then. The steps that he took – simplify your life\, then listen to that deep and quiet voice inside of you long and hard – form a road map for all of us toward some sort of healing\, not just for ourselves individually\, but potentially for society as a whole. \nJohn Moreland is known for writing lines that hit you in the gut\, but many of the best moments on Visitor are more subtle. The significance of one of the record’s best lines\, from “The More You Say\, The Less It Means\,” may take multiple listens to fully sink in: “Some folks say and some folks know”. This line sums up John Moreland’s worldview very neatly. It lays out the dichotomy of truth and lies that Moreland has spent his entire career examining\, but now more elegantly than ever. On the one hand\, there are people who constantly talk (or sing\, or write\, or post online) without deep thought or reflection – often irresponsibly\, even dangerously\, and for personal gain. These are the “weary worn-out fools” and “famous false prophets” he lambasted on In The Throes\, or the subject of “One Man Holds The World Hostage” on Visitor. And on the other hand\, there are folks who know – those who commit themselves to the pursuit of truth and wisdom\, and who only say things when they fully know them to be true. In Moreland’s book\, the artist’s true calling is to be one of the latter – the “folks who know”. While John Moreland has already earned a spot in the pantheon of the great singer-songwriters of his generation\, Visitor confirms his place in that much loftier Hall Of Fame. \nGEORGIA MAQ \nGeorgia Maq became something of a local hero as the leader of revered punk trio Camp Cope\, calling out music industry sexism over fearsome indie rock salvos while garnering widespread international acclaim. In late 2019\, Maq surprised everyone by releasing her solo debut\, Pleaser\, a refreshingly bright and catchy missive of electro-pop tunes about heartbreak and love. A suite of singles in ‘Someone Stranger’ with Alice Ivy\, ‘Joe Rogan’\, ‘tropical lush ice’ and live EP recorded at the Sydney Opera House showcase the breadth of her taste and range. \nEver since\, Georgia has chased a more genuine form of pop music in her solo career\, a vision hat retains all of the glamour and universality but feels unburdened from capitalist underpinnings. Mining the evergreen themes of romantic\, sexual and self-love\, Georgia Maq’s solo venture was not so much a transformation as it was a revelation. Opening up on her vulnerabilities and heartbreaks\, her continued evolution is far beyond the Greek girl from Naarm that first set fire to the rain.
URL:https://www.gorgecurrent.com/event/john-moreland-with-special-guest-georgia-maq/
LOCATION:Trout Lake Hall\, 15 Guler Rd\, Trout Lake\, WA\, 98650\, United States
CATEGORIES:music
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