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DTSTART;TZID=America/Los_Angeles:20261016T150000
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SUMMARY:Kids & Tweens Creative Crafts: DIY Squishies
DESCRIPTION:Join us to make a craft. This time we’re making DIY squishy toys using fun\, simple materials. Squeeze\, squish\, and take home a stress-busting creation! \nAges 5–12
URL:https://www.gorgecurrent.com/event/kids-tweens-creative-crafts-diy-squishies/
LOCATION:Goldendale Community Library\, 131 W Burgen St\, Goldendale\, WA\, United States\, Washington 98620
CATEGORIES:arts,informational,youth
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DTSTART;TZID=America/Los_Angeles:20261016T180000
DTEND;TZID=America/Los_Angeles:20261016T193000
DTSTAMP:20261002T180407Z
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SUMMARY:HRMS PTO Community Movie Night – Goosebumps!
DESCRIPTION:Join us in the HRMS Auditorium for a FREE movie on October 16th @ 6PM! We are excited about showing Goosebumps featuring Jack Black <3 The movie is PG and features some intense/scary scenes. We hope it’s scary and fun but not too frightening!\n\nThe movie is free and we’ll have snacks for sale. We can take cash\, card\, and Venmo :) Snack sales are part of our fundraising efforts to support staff and students at HRMS.
URL:https://www.gorgecurrent.com/event/hrms-pto-community-movie-night-goosebumps/
LOCATION:Hood River Middle School Auditorium\, 1602 May St.\, Hood River\, 97031
CATEGORIES:arts,fundraiser
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DTSTART;TZID=America/Los_Angeles:20261016T180000
DTEND;TZID=America/Los_Angeles:20261016T210000
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SUMMARY:Ages and Ages at Trout Lake Hall
DESCRIPTION:Friday\, October 16th\, 2026 \n$23 Advance // $25 Day of6pm Doors / 7pm ShowAll Ages \nAGES AND AGES \nA phrase like “fine thanks and you” is often the polite and truncated outer-shell of a much longer\, and more complicated story we all have. We use it like a dam to keep the buildup of our thoughts from spilling out onto others\, though it’s not always clear who we’re protecting – them or us? Nevertheless\, there are worlds behind the wall\, for those who wish to explore. And such is the case for this record. \nIt is painfully unsurprising to say that when the songs for Fine Thanks and You began to emerge\, there was a lot of upheaval in the lives of people in this country and around the world. Meanwhile in my own personal life\, I was moving through a profound loss\, and the realness of this experience was creating some vivid existential sparks that the mind wanted to follow. \nThe sparks I chose to follow were mostly simple reflections about what it’s like to be in a body\, to have agency\, to have space\, and to move through this window of time like a visitor. It was an exploration\, and with every exploration comes imagery: heatwaves waving back at me (Hot Pavement)…sidewalks slipping off into infinity (“City Walkin’”)…painted hills\, sharp like knives\, cutting up the purple sky (“Wild Ride”)…up again\, into the light again\, open my eyes and then I realize I don’t want it to end (“Second Thoughts”). Thematically\, there is searching in these songs\, but never a sense of feeling lost. \nWeirdly\, it was during these times of channeling thoughts into songs that I found myself gravitating to big box stores with no intention of buying anything. This might seem like a non-sequitur\, but these places were a calming backdrop to a mind that hadn’t been untangled yet. Something about the sterility of the big box store—their utter neutrality and aggressive dedication to the bland and basic—were a blank and empty canvas for me to cycle through ideas until a line or a hook\, or even a whole song came out. I walked through their aisles for a long stretch of months\, my thoughts only interrupted by the kind inquiries of the stores’ employees. “Can I help you find anything?” I want to find a state of mind I haven’t been in (“Inspiration”). “What is it you’re looking for?” I don’t know what I want\, all I know is that I want it to be real and I wanna feel amazing (“Feel Amazing”). “How are you doing today?” Fine thanks and you. \nThose necessary\, life-giving connections extended into the recording process. I was working at that time close to Trash Treasury\, a studio where Cameron Spies (Radiation City\, Night Heron) records and produces. We would cross paths regularly and talk about anything and everything\, including music. The more we shared our ideas\, and the more time I spent listening to the records he’d worked on\, the more I knew he was the right person to help us construct the sonic umbrella we all wanted to huddle under. \nWe recorded mostly at Trash Treasury and partly at our own studio\, Friendly Ghost. In either case\, the studio was like a friendly shelter for all of us (myself on guitar and vocals\, Rob \nOberdorfer on bass\, and Evan Railton on drums) to have fun\, try things\, and be freaks. But through the second phase of recording\, an additional connection was made that helped Fine Thanks and You reach its completed shape. I met Mira Stanley during a co-write we did over Zoom and was immediately in awe of her voice. We were initially working on our own separate material\, but I asked if she would lend her vocals to this new Ages and Ages record. To my delight\, she drove all the way from Nashville to make it happen. She fit into the fold so well that she has since relocated to Portland and is now a full-fledged member of the band. \nFrom those first sparks of inspiration to the finished album\, I found myself returning to a poem Dr. Clarisa Pinkola Estes\, the Mexican-American writer best known for the book Women Who Run With the Wolves. The full poem is worth seeking out\, but these lines in particular resonated with me deeply. \nOne of the most calming and powerful actions you can do to intervene in a stormy world is to stand up and show your soul. Soul on deck shines like gold in dark times. The light of the soul throws sparks\, can send up flares\, builds signal fires\, causes proper matters to catch fire. To display the lantern of soul in shadowy times like these – to be fierce and to show mercy toward others; both are acts of immense bravery and greatest necessity. Struggling souls catch light from other souls who are fully lit and willing to show it. If you would help to calm the tumult\, this is one of the strongest things you can do. \nThe impact of this poem is most plainly reflected in the artwork for the album that Mira and I put together\, but those sparks and the heat of the flames Dr. Estes talks about are hopefully going to be seen and felt throughout each of these songs. The kinds of brief or lingering lights that will help draw us all closer to one another and allow us to make those necessary connections\, be they soul deep and permanent (We could find some light and plant a perfect garden\, cultivate ideas\, watch their petals open\, “Inspiration”) or brief and familiar. Fine thanks and you.
URL:https://www.gorgecurrent.com/event/ages-and-ages-2/
LOCATION:Trout Lake Hall\, 15 Guler Rd\, Trout Lake\, WA\, 98650\, United States
CATEGORIES:music
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DTSTART;TZID=America/Los_Angeles:20261016T190000
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SUMMARY:FAHRENHEIT 451 movie
DESCRIPTION:Fahrenheit 451 is the temperature at which paper catches fire. \nGuy Montag has spent ten years as a fireman\, and in his world that means setting the blazes rather than putting them out. Books are the fuel. It’s steady work and an easy life\, and lately it has started to feel like no life at all — a numbness Montag can’t quite name until he meets Clarisse\, a neighbor who’s full of odd questions and stranger ideas. What she stirs up in him turns dangerous fast. Montag has to choose: keep drifting through an existence that barely qualifies as one\, or risk everything for the right to think for himself. \nRay Bradbury adapted his own 1953 novel for the stage\, and this October\, director Lowry Browning brings it to CCA’s black box theater. Seventy years on\, this story still lands with unsettling force. \n“An incredibly relevant and prophetic adaptation of a classic novel.” — David Longford\, The Royal Company\, Nottingham\, England. \nDoors open a half hour before the show. \nOn stage: OCT 9-25\nFridays and Saturdays at 7 PM\nSundays at 2 PM \nGeneral Admission: $23\nStudent (≤18) and Senior (65+): $21 \nGET TICKETS
URL:https://www.gorgecurrent.com/event/fahrenheit-451-movie-4/
LOCATION:Columbia Center for the Arts\, 215 Cascade Ave\, Hood River\, OR\, 97031-1724\, United States
CATEGORIES:arts
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DTSTART;TZID=America/Los_Angeles:20261016T193000
DTEND;TZID=America/Los_Angeles:20261016T213000
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SUMMARY:Live Theatre - The Man From Earth
DESCRIPTION:Big Britches Productions Presents \nJerome Bixby’s The Man From Earth \nAdapted by Richard Schenkman \nOctober 2 – 17 \n  \nThe Man From Earth is a gripping\, dialogue-driven science fiction drama from Jerome Bixby (writer for the original Star Trek and The Twilight Zone)\, completed on his deathbed as his final work. \nWhen history professor John Oldman abruptly resigns and prepares to leave town\, his colleagues impulsively gather for a farewell party\, and John\, pressed for an explanation\, reveals a secret he’s never told anyone: he may be over 14\,000 years old. What follows is a tense\, funny\, moving\, and occasionally shattering evening of debate\, disbelief\, and reckoning\, as friends who thought they knew each other are forced to confront questions about faith\, science\, mortality\, and love.
URL:https://www.gorgecurrent.com/event/live-theatre-the-man-from-earth/2026-10-16/
LOCATION:The Bingen Theater\, 210 OAK STREET\, Bingen\, WA\, 98605\, US
CATEGORIES:arts
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